Pietro Generali (1773-1832) - Domine ad adjuvandu a tre soli (c.1805)
Details
| Title | Pietro Generali (1773-1832) - Domine ad adjuvandu a tre soli (c.1805) |
| Author | Pau NG |
| Duration | 7:19 |
| File Format | MP3 / MP4 |
| Original URL | https://youtube.com/watch?v=cHxq6zLbjqY |
Description
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Composer: Pietro Generali (1773-1832)
Work: Domine ad adjuvandu a tre soli (c.1805)
Performers: Solists from Coro della Radiotelevisione Ceka; Orchestra Sinfonica di Praga; Eduardo Brіzіo
Drawing: Attributed to Nathaniel Dance (1735-1811) - Conquering a Chromatic Passage
Image in high resolution: https://flic.kr/p/2mEMS96
Further info: https://www.amazon.com/Musica-Sacra-Inedita-Pietro-Generali/dp/B001VZEFM2
Listen free: https://open.spotify.com/album/4NKNe4Ll9syi2crFZWOcVr
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(Mercandetti) Pietro Generali
(Masserano, 23 October 1773 - Novara, 3 November 1832)
Italian composer. His surname was Mercandetti until his father changed it when, bankrupt, the family moved to Rome. There Generali studied counterpoint with Giovanni Masi, interrupted by four months spent at the Conservatorio di San Pietro a Majella at Naples. He graduated from the Congregazione di Sancta Cecilia in Rome and began his career as a composer of sacred music, but soon turned to opera. He traveled all over Italy as producer of his operas, and also went to Vienna and Barcelona, where he remained three years as director of the opera company at the Teatro de la Santa Cruz. Returning to Italy, he became maestro di cappella at the Cathedral of Novara, a position he held until his death. He anticipated Rossini in the effective use of dynamics in the instrumental parts of his operas, and was generally praised for his technical knowledge. He wrote about 50 stage works, in both the serious and comic genres, but none survived in the repertoire after his death. The following were successful at their initial performances: Pamela nubile (Venice, 1804), Lelagrime di una vedova (Venice, 1808), Adelina (Venice, 1810), L'Impostore (Milan, 1815), I Baccanali di Roma (Venice, 1816; his best work), II Servo padrone (Parma, 1818), and Il divorzio persiano (Trieste, 1828). From late 1820 to 1823 he was in Naples, composing several operas and teaching; Luigi Ricci was among his pupils. With the Naples period his activity as an opera composer came virtually to an end. In 1823 he became music director of the Teatro Carolino in Palermo.
